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Von Hokkaido bis Okinawa - Das japanische Kino und Ich
Eine Liebe die seit ihrem absurden Anfang nie aufhörte zu blühen. Egal in welcher Ecke des Weltkinos ich mi...

Von Hokkaido bis Okinawa - Das japanische Kino und Ich
Eine Liebe die seit ihrem absurden Anfang nie aufhörte zu blühen. Egal in welcher Ecke des Weltkinos ich mich aufhalte, irgendwie zieht es mich immer wieder nach Japan zurück. Deshalb diese Liste, zum Sammeln und weiterführen. Auf das es nie Enden wird. - Der Ordnung halber ist alles nach Bewertung gelistet (Ist deshalb aber keine Rangliste!!).
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17
Vergesst den Kanon - Das chinesische Kino und Ich
Wie bei der japanischen Liste auch, gilt diese hier mehr als Chronik in der ich all die Filme aus dieser mi...

Vergesst den Kanon - Das chinesische Kino und Ich
Wie bei der japanischen Liste auch, gilt diese hier mehr als Chronik in der ich all die Filme aus dieser mir so wichtig gewordenen Kinonation auffangen kann. (inkl. Taiwan und Hongkong)
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Mikio Naruse
Ø 8,4
40 Einträge 3
0
0
John Ford
“I hate the cinema." Ø 8,2
21 Einträge 7
1
3
Brian De Palma
"The whole system is changing. You used to go out and make a movie. Our generation, we wanted to take over ...

Brian De Palma
"The whole system is changing. You used to go out and make a movie. Our generation, we wanted to take over the studios. Which we did. I think what’s so interesting about the generation I came up with, they got very rich, extremely rich, working within the studio system. Now, we’re into this endless streaming. Everything has 10 parts and six seasons. It’s sort of moved back to the old studio system where the producers and the writers are the king."
21 Einträge 4
0
0
Kenji Mizoguchi
"I have not yet made a film that pleases me." Ø 7,3
12 Einträge 2
0
0
Manoel de Oliveira
"Cinema in general, and not just European cinema, is the last of the arts in date order. And like all the a...

Manoel de Oliveira
"Cinema in general, and not just European cinema, is the last of the arts in date order. And like all the arts, it’s a ghost of reality. Reality is the sum of actual facts and utopias".
12 Einträge 3
0
0
Patrick Tam
"[...]Because when you are creating a work, it is about structuring and about the positioning of all creati...

Patrick Tam
"[...]Because when you are creating a work, it is about structuring and about the positioning of all creative elements --music, lighting, acting, everything. You have to place all these elements -- integrated, structured, positioned-- in the only right places for them in the entire structure."
7 Einträge 1
0
0
Frederick Wiseman
"I hope there’s enough information in my films that a viewer can disagree with me." Ø 7,5

Frederick Wiseman
"I hope there’s enough information in my films that a viewer can disagree with me." Ø 7,5
10 Einträge 8
2
1
Abel Ferrara
"I come from a different world. A success to me... Any of these films are great successes. If someone tries...

Abel Ferrara
"I come from a different world. A success to me... Any of these films are great successes. If someone tries to tell me that The Blackout ain't a success, I say, "Hey, we made the movie we wanted to make." I come from a world where you get the film done, that's a success. I ain't worried about what it does on opening weekend in fucking Topeka or Phoenix, you know what I mean?"
9 Einträge 6
0
2
Johnnie To
“Hollywood can't do this. But we can: we can change things whenever we want.” Ø 6,6

Johnnie To
“Hollywood can't do this. But we can: we can change things whenever we want.” Ø 6,6
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6
4
Hou Hsiao-hsien
"You have to find the right way to approach the right subject for yourself. No one can do that for you. You...

Hou Hsiao-hsien
"You have to find the right way to approach the right subject for yourself. No one can do that for you. You may not be aware of your great potentiality. You do not need to make films that we think are proper, or feel compelled to make certain kinds of films because they have been praised or recognised. Never let yourself be tied up by these thoughts. Be creative and unpredictable for every film you make. That’s best. This is all I want to say." Ø 8,7
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3
0
Tsai Ming-liang
" [...] Aus diesem Grund verdichte ich immer meine Fragen in einen Körper. Natürlich bin ich an den soziale...

Tsai Ming-liang
" [...] Aus diesem Grund verdichte ich immer meine Fragen in einen Körper. Natürlich bin ich an den sozialen Problemen interessiert, aber ich glaube, das liegt immer nur an der Oberfläche und gelangt nicht an den Kern. Was ich präsentieren möchte, ist der Begriff des Körpers, weil ein Körper eine Art von Unmittelbarkeit darstellt, und das reflektiert dein Bedürfnis, deine Sehnsucht." Ø 8,5
16 Einträge 7
2
0
Kiyoshi Kurosawa
"Whether my material is human beings or landscape or cityscape, each time it winds up either gently undermi...

Kiyoshi Kurosawa
"Whether my material is human beings or landscape or cityscape, each time it winds up either gently undermining the rules of the genre or oddly enough, in unexpected ways making them work."
24 Einträge 1
0
0
King Hu
"The audience is the camera. I don’t want the audience to sit and watch, I want it to move." Ø 8,0

King Hu
"The audience is the camera. I don’t want the audience to sit and watch, I want it to move." Ø 8,0
7 Einträge 12
2
0
Jacques Tourneur
“I look for very strong visual unity by using a type of framing and camera movement that is very simple. Ev...

Jacques Tourneur
“I look for very strong visual unity by using a type of framing and camera movement that is very simple. Everything must come from inside. It mustn’t be superficial. I hate weird camera angles and distorting lenses.” Ø 7,9
17 Einträge 8
1
0
Hong Sang-soo
"I don’t have a hobby! The only thing is that I drink. But even these days I drink less than I used to. Now...

Hong Sang-soo
"I don’t have a hobby! The only thing is that I drink. But even these days I drink less than I used to. Now I drink twice a week, before it was five, six times…every night from like 8pm to 2am…" Ø 8,87
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3
4
Michael Mann
"I don't underestimate audiences' intelligence. Audiences are much brighter than media gives them credit fo...

Michael Mann
"I don't underestimate audiences' intelligence. Audiences are much brighter than media gives them credit for. When people went to a movie once a week in the 1930s and that was their only exposure to media, you were required to do a different grammar." Ø 8,0
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0
2
Michael Cimino
"Nobody lives without making mistakes. I never second-guess myself. You can't look back. I don't believe in...

Michael Cimino
"Nobody lives without making mistakes. I never second-guess myself. You can't look back. I don't believe in defeat. Everybody has bumps, but as Count Basie said, "It's not how you handle the hills, it's how you handle the valleys." Ø 7,5
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0
3
Edward Yang
"Creativity is first how are you going to tell a story and second, how are you going to convince a friend t...

Edward Yang
"Creativity is first how are you going to tell a story and second, how are you going to convince a friend to lend you the money." Ø 8,4
9 Einträge 12
1
0
Tsui Hark
"Emotion is the most essential element in my films. By taking many shots from different angles, I can bring...

Tsui Hark
"Emotion is the most essential element in my films. By taking many shots from different angles, I can bring out the emotions of a scene. The sequence's tempo can be controlled by sharp editing and by paying close attention to camera operations." Ø 7,3
21 Einträge 3
1
2
Yoshishige Yoshida
"[...] In my school they use to screen films for us, and I remember vividly the time they showed us Kurosaw...

Yoshishige Yoshida
"[...] In my school they use to screen films for us, and I remember vividly the time they showed us Kurosawa's No Regrets for Our Youth (Waga Seishun ni Kui Nashi). It was when I was in my second year at junior high school, where they gathered the entire school to watch it. I remember thinking how manipulative the medium was, thinking that it was impossible to trust film directors." Ø 7,5
15 Einträge 12
2
2
Monte Hellman
"The idea of the road movie as a separate genre is, in a way, a little absurd because every movie is in som...

Monte Hellman
"The idea of the road movie as a separate genre is, in a way, a little absurd because every movie is in some way a road movie. Siegfried Krakauer said that any legitimate movie had to take place in the street or in the road, if you had a set with no windows onto the road then it wasn’t a real movie, it was a play."
7 Einträge 0
0
0
Robert Bresson
"The most important will be the most hidden"
14 Einträge 1
0
0
Apichatpong Weerasethakul
"Uncle Boonmee is very much about cinema, that’s also why it’s personal. If you care to look, each reel of ...

Apichatpong Weerasethakul
"Uncle Boonmee is very much about cinema, that’s also why it’s personal. If you care to look, each reel of the film has a different style—acting style, lighting style, or cinematic references—but most of them reflect movies. I think that when you make a film about recollection and death, you have to consider that cinema is also dying—at least this kind of old cinema that nobody makes anymore." Ø 7,6
12 Einträge 9
1
3
Jia Zhangke
I only see what I want to see. Within China, I’ve been attacked by critics. I’ve been frequently accused of...

Jia Zhangke
I only see what I want to see. Within China, I’ve been attacked by critics. I’ve been frequently accused of making films that show a negative side of China to foreigners. But I haven’t responded to such criticism because I feel that even if I have shown what is negative, I have put in much greater emotions of mine into the films." Ø 8,0
11 Einträge 10
2
0
Tony Scott
"I always get criticized for style over content, unlike Ridley's films that go into the classic box right a...

Tony Scott
"I always get criticized for style over content, unlike Ridley's films that go into the classic box right away. Mine sort of hover. Maybe with time people will start saying they should be classics, but I think I'm always perceived as reaching too hard for difference, and difference doesn't categorize you as the 'classic category'." - Tony Scott
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0
1
Paul W.S. Anderson
"I think you get immersion in two ways. One is there’s depth behind the screen, but also, I feel there’s ti...

Paul W.S. Anderson
"I think you get immersion in two ways. One is there’s depth behind the screen, but also, I feel there’s times where you want to use space in front of the screen as well and we definitely use it. What we’ve tried to do is not do what early kind-of 3D movies, which is kind of stick shit in your face and go, ‘Oh, look! We’re 3D! We’re 3D!’ and kind of leave it at there because movies are all about suspension of disbelief and kind of immersing yourself in the story and forgetting that you’re sitting in a cinema with 200 other people, right?” Ø 7,0
11 Einträge 16
0
5
John Carpenter
"Movies are pieces of film stuck together in a certain rhythm, an absolute beat, like a musical composition...

John Carpenter
"Movies are pieces of film stuck together in a certain rhythm, an absolute beat, like a musical composition. The rhythm you create affects the audience."
18 Einträge 2
0
0
2016
Liebste Erstsichtungen 2016. Ohne Rangfolge. War nett.
50 Einträge 6
0
2
Schönste Entdeckungen - 2015
Hatte eigentlich gedacht mein Filmjahr 2015 sei eher mau verlaufen, wenn ich mir aber so ansehe was ich hie...

Schönste Entdeckungen - 2015
Hatte eigentlich gedacht mein Filmjahr 2015 sei eher mau verlaufen, wenn ich mir aber so ansehe was ich hier alles in die Liste gepackt habe dann muss ich schon staunen. War doch nicht so übel, ganz im Gegenteil. Alle Filme die in der Top 10 2015 waren packe ich hier natürlich nicht noch mal rein, gehören aber selbstverständlich dazu.
16 Einträge 12
0
2
My Sweet Little Diary
Meh
56 Einträge 10
2
0
Schönste Entdeckungen - 2013
Da ich Top 10 Listen überhaupt nicht mag, kein Kritiker bin um von einem großen Pensum an verschiedenen Fil...

Schönste Entdeckungen - 2013
Da ich Top 10 Listen überhaupt nicht mag, kein Kritiker bin um von einem großen Pensum an verschiedenen Filmen ein Jahr in zehn Filme zusammenzufassen und die nächsten Wochen sowieso viel Arbeiten muss hier mal die schönsten Entdeckungen die ich in meinem Filmjahr 2013 hatte.
30 Einträge 12
0
2
11 für 2015
2015 war ok. Viele gute Filme gesehen, einige (wahrscheinlich gute) noch nicht. So wie immer eben. Wird eve...

11 für 2015
2015 war ok. Viele gute Filme gesehen, einige (wahrscheinlich gute) noch nicht. So wie immer eben. Wird eventuell erweitert wenn ich Lust habe.
11 Einträge 12
1
2
Nicht hier, nicht da. Reise durch Taiwans Neue Welle(n).
Eine Reise duch die zwei Wellen welche das nationale Kino Taiwans revitalisirten sollten und es zu einem de...

Nicht hier, nicht da. Reise durch Taiwans Neue Welle(n).
Eine Reise duch die zwei Wellen welche das nationale Kino Taiwans revitalisirten sollten und es zu einem der angesehensten auf internatonaler Ebene machte.Ein Kino von Wagnisen, die Taboos des eigenen Landes sowie dessen Platz in der Welt am hinterfragen.
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7
Akira Kurosawa's 100 Lieblingsfilme
Diese Liste zeichnet sehr schön wie ich finde das Bild eines Menschen der es nicht nur geliebt hat Kino sel...

Akira Kurosawa's 100 Lieblingsfilme
Diese Liste zeichnet sehr schön wie ich finde das Bild eines Menschen der es nicht nur geliebt hat Kino selber zu machen sondern auch Kino selber zu erleben. Im Buch " A Dream is a Genius" zählte Kurosawa seine 100 liebsten Filme auf (chronologisch) und schrieb zudem auch noch zu jedem Film 2-3 Sätze. Da diese aber nicht alle Platz haben in den Filmbeschreibungen hier in der Liste werde ich nur Auszüge einfügen, wer sich alles durchlesen möchte kann hier nachsehen: http://tinyurl.com/aw3gr9z Leider sind einige Filme nicht in der Datenbank (14 Stück), werde sie aber mit der Zeit alle einfügen.
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